copyright Bettina Network, inc. 2012
THE PLACE TO BE on Fridays at noon is Trinity Episcopal Church in Copley Square, Boston, MA.
This past Friday there was an astounding organ concert played by Richard Webster (Trinity’s Music Director and Organist) and Colin Lynch (Trinity’s Assistant Organist).
To walk into the Church and see the organ taking its place in front of the altar just glowing from the way the light hit it, was stunning. I wanted to just sit in a quiet place to contemplate the scene in front of me for awhile, but since I arrived just before the concert started, that didn’t happen. When you go to Trinity’s Friday organ concerts, I suggest you arrive at least 15 minutes early to absorb what you see there. When the organ moves to the front and center of the altar in such a breathtaking way, with the drama it creates in its new place does that make it a sacred icon?
The sanctuary itself is beautiful, even when the organ is on the side out of view, with those incredible stained glass windows adding depth to the light flowing into the Church. The first time I walked into Trinity it was 1980, I felt as though I had come home. I went kicking and screaming all the way because I had other places I would rather have been, however, that all left when I walked into the Church. I thought it was a spiritual experience of homecoing until I learned the architect – H. H. Richardson – was from New Orleans and had incorporated much of the ambiance, culture and New Orleans Creole style into his architectural designs. After that bit of knowledge surfaced, I realized that while there may have been something spiritual about that first experience of the Church, it was an actual feeling of homecoming from someone who was homesick.
Richard Webster opened the concert with Nicholaus Bruhns’ Preludium in E Minor. A Northern German Baroque piece which has a virtuosity and richness which held its own in this environment. A student of Dieterich Buxtehude, Nicholaus came from a family of organists, composers, violinists, etc.
I used to wonder why many of the great organ composers and performers came from family groups – parents who played and composed, siblngs who followed their parents, those who married the children of organists becoming great organists themselves – until I realized how difficult it is to find an organ on which one can practice without this familial support. It is a rare instrument, which encompasses and can imitate all others.
Richard Webster’s opening of the concert with the Bruhns’ piece was beautiful. It was very rich and Richard’s playing brought out the virtuosity of the piece.
The composition which reached me where I was living that day was Trois Movements for Organ and Flute by Jehan Alain. Colin Lynch played the organ, Richard Webster played the flute. I’ve heard both of them play before, but when Trois Movements started I was not prepared. My favorite combination is organ and flute; my favorite composer in the organ world – Marcel Dupré – one of Jehan Alain’s teachers. I had totally fogotten about Jehan Alain. One can hear the romantic influences in this piece and its Andante movement gives you the meditation and contemplation needed in the space in which it was played. After that, it lightens and was a great middle of the concert.
When one thinks of Alain it is with thoughts full of tragedy. What could he have produced, but for the war which caused his death at a very early age? Maybe that future knowing is what hangs over his music. The ridiculousness and horror of war is showcased in this composer and performers’ life along with a clear showing, in microcosm, of what the world lost. One of the most moving pieces is to hear his Sarabande for Organ, Strings, and Timpani, which he dedicated to the memory of his sister Odile Alain. For a very moving moment, if you can find a recording of it with Marie-Claire Alain on the organ it is a profound experience.
And of course, the ending of the concert. What can I say – a perfect end to continue the rest of your day in a great place. Colin Lynch played Marcel Dupré’s Prelude and Fugue in B Major. Not expected in the middle of the day, but a huge treat and it was incredibly well played – you knew that the presene you felt was Dupré showing up after the first few measures to hear this performance. Brilliantly, technically showing off the virtuosity in Dupré’s composition and played the way it was meant to be played.
I can’t vouch for the rest of the organ concerts because I am not familiar with all of the organists to follow, but these two, Richard Webster and Colin Lynch, made you want to return for more.
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My Feet and Liquid Vitamin C
September 28th, 2011copyright Bettina Network, inc. 2011
Please copyright this under my name and the Bettina Network’s name. I don’t know why – it just strikes me as the thing to do for this blog.
I discovered Liquid Vitamin C a couple years ago and was excited to read your blog on using Liquid Vitamin C as a cosmetic. It works beautifully.
My discovery was with my feet. As I grow older, my feet grow uglier and have a tendency to puff up if I sit too long. By accident almost, I massaged my feet with liquid vitamin C and put white socks on over the C. I left them on and forgot what I had done, going about my daily life.
Imagine my surprise when I went to bed, took off my socks and found beautiful feet. It was such a freeing feeling. I felt great all day, but that was the real treat at the end of the day.
Since then I make it a part of my health regimen to massage my feet with Liquid Vitamin C after every bath and if I skip a day and don’t take a bath I still wash my feet, give them a liquid Vitamin C massage and put them in white cotton socks. What a difference a small thing like that makes. My first shock at seeing my feet come out of the white socks the first time I tried this was nothing compared to how much more beautiful my feet have become since I started doing this on a regular basis. I could have had plastic surgery on my feet, which I was considering seriously because they looked so awful, but now I don’t have to do that. It took quite a few months to achieve this result, but constancy gave me a good result. If I had plastic surgery the recovery time would have been much longer – given the pain, inconvenience, adjustment and inability to walk for quite some time. This way, I have beautiful feet and this whole process made me feel a lot better given the influence of the liquid C into my body on a daily basis coming from my feet.
Hope my experience benefits someone else.
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______________________________________________________________
Want to join us? Have a home that you want to open to become one of Bettina Network’s Hedge Schools? Call us and lets talk – or email us.
Ed. Note: Members of the Bettina Network Lifestyle Community can contribute to the Bettina Network Blog whenever they have anything they want to say and be heard by this fantastic group of people. Send your blog to bettinanetwork@comcast.net or mail it to us at P. O. Box 380585 Cambridge, MA. 02238 or call us on the telephone at 617-497-9166 to tell us what you want to say and we will write it for you.
Volunteer with Bettina Network Foundation, inc. to work estate sales; to help move items from one home to another; to contribute your ideas on how we can better use our resources in this effort to relieve and eliminate homelessness and poverty. We also need photographers; designers; and more. However much or little time you have, we are grateful.
Send your event information to be included in Bettina Network’s Menu of Events to: bettina-network@comcast.net
This is a curated blog so you cannot write your responses at the end of each entry. TO RESPOND TO THIS BLOG email bettina-network@comcast.net or info@bettina-network.com
TO LEARN MORE about Bettina Network, inc. try www.bettina-network.com
IF YOU ENJOY OUR BLOG, USE OUR SERVICES TO BOOK ACCOMODATIONS WHEN YOU TRAVEL!
1-800-347-9166 inside the U. S. or 617 497 9166 outside or inside the U. S.
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