copyright 2010 the Bettina Network, inc.
(If you would like to know more about King’s Chapel, another Bettina’s Blog reviews King’s Chapel and it is also included in Bettina’s Menu of Events.)
On Tuesday, June 15th at 12:15pm there was a wonderful harp concert in King’s Chapel. The harpist was Franziska Huhn
Her concert included the Ciaccona from J. S. Bach’s Partita in D minor for solo violin (BWV 1004). It was amazing to hear this piece played on the harp. The ciaccona is considered a pinnacle of the solo violin repertoire and has been transcribed for other instruments – the piano, the full orchestra, the guitar, organ and others. Franziska played the Ciaccona brilliantly and set in the background of King’s Chapel the incredible feelings this piece generates came through the harp playing and made the afternoon.
Also included in this concert was Bach’s French Suite no. 5, BWV 816. Written by J. S. Bach for the clavier, Ms. Huhn transcribed these pieces for the harp. I thought I would share with you the musicians thoughts about the French Suite and her transcription.
A lot of movements have melodies based on arpeggios and some on scales, allowing for a sonority that should work well on the harp. I have had the French Suite on my mind since I first read through it in 2000. I thought then it would work beautifully on the harp and finally I decided to sit down and do the transcription.
All of the movements can be played in the original key and all voicings can be left intact. The only movement which proved tricky was the gigue. It has fast moving left hand lines which can easily lose their clarity on the lower register of the harp. That area tends to build up a lot of vibrations and clarity of lines can easily be lost. In Bach, both lines – the melody as well as the bass line – are equally important, so it is critical that the lines are clear. In later periods the melody rules and the left hand is “serving” the right hand, but in Bach they are equal partners. In the gigue, it took several small discrete register changes of the left hand to make sure it could be heard clearly.
Overall, the character of the Suite is very intimate and personal. It is not a large showy piece, which is one reason I love to play it and thoroughly enjoyed transcribing it for the harp. In this concert, it was a great contrast to the much more extroverted style of the Chaconne.
Ms. Huhn is a rising young musician who has an international resumé of concerts performed throughout the United States as well as Poland, Turkey, Georgia, Luthuania, Norway, Russia, Syria, Germany, Pakistan and more with several concerts performed for German Presidents – both Johannes Rau and Horst Koehler. Ms. Huhn performs as a substitute harpist with the Boston Symphony Orchestra, plays regularly with several chamber groups and studied with both Lucille Lawrence and Ann Hobson Pilot, among others. She serves as harp faculty at the New England Conservatory and Longy School of Music, received the Artists’s Diploma from the Conservatory in 2005 and has several harp albums available for purchase. She is the Assistant Director of the Harp Seminar at Boston University’s Tanglewood Institute and the above is only a partial list of Ms. Huhn’s musical accomplishments. We know you will hear a lot about Ms. Huhn in the future and hope you take the opportunity to hear her play when she appears in your area of the world or when you are travelling to where Ms. Huhn is performing.
If you would like to follow Ms. Huhn’s career you will find her on the web at www.FranziskaHuhn.de.
She is also an important part of the Bettina Network, inc. and has been for over a decade.
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Ed. Note: Members of the Bettina Network Lifestyle Community can contribute to the Bettina Network Blog whenever they have anything they want to say and be heard by this fantastic group of people. Send your blog to bettinanetwork@comcast.net or mail it to us at P. O. Box 380585 Cambridge, MA. 02238 or call us on the telephone at 617-497-9166 to tell us what you want to say and we will write it for you.
Volunteer with Bettina Network Foundation, inc. to work estate sales; to help move items from one home to another; to contribute your ideas on how we can better use our resources in this effort to relieve and eliminate homelessness and poverty. We also need photographers; designers; and more. However much or little time you have, we are grateful.
Send your event information to be included in Bettina Network’s Menu of Events to: bettina-network@comcast.net
This is a curated blog so you cannot write your responses at the end of each entry. TO RESPOND TO THIS BLOG email bettina-network@comcast.net or info@bettina-network.com
TO LEARN MORE about Bettina Network, inc. try www.bettina-network.com
IF YOU ENJOY OUR BLOG, USE OUR SERVICES TO BOOK ACCOMODATIONS WHEN YOU TRAVEL!
1-800-347-9166 inside the U. S. or 617 497 9166 outside or inside the U. S.
A Harp Concert at King’s Chapel
Tuesday, June 22nd, 2010copyright 2010 the Bettina Network, inc.
(If you would like to know more about King’s Chapel, another Bettina’s Blog reviews King’s Chapel and it is also included in Bettina’s Menu of Events.)
On Tuesday, June 15th at 12:15pm there was a wonderful harp concert in King’s Chapel. The harpist was Franziska Huhn
Her concert included the Ciaccona from J. S. Bach’s Partita in D minor for solo violin (BWV 1004). It was amazing to hear this piece played on the harp. The ciaccona is considered a pinnacle of the solo violin repertoire and has been transcribed for other instruments – the piano, the full orchestra, the guitar, organ and others. Franziska played the Ciaccona brilliantly and set in the background of King’s Chapel the incredible feelings this piece generates came through the harp playing and made the afternoon.
Also included in this concert was Bach’s French Suite no. 5, BWV 816. Written by J. S. Bach for the clavier, Ms. Huhn transcribed these pieces for the harp. I thought I would share with you the musicians thoughts about the French Suite and her transcription.
A lot of movements have melodies based on arpeggios and some on scales, allowing for a sonority that should work well on the harp. I have had the French Suite on my mind since I first read through it in 2000. I thought then it would work beautifully on the harp and finally I decided to sit down and do the transcription.
All of the movements can be played in the original key and all voicings can be left intact. The only movement which proved tricky was the gigue. It has fast moving left hand lines which can easily lose their clarity on the lower register of the harp. That area tends to build up a lot of vibrations and clarity of lines can easily be lost. In Bach, both lines – the melody as well as the bass line – are equally important, so it is critical that the lines are clear. In later periods the melody rules and the left hand is “serving” the right hand, but in Bach they are equal partners. In the gigue, it took several small discrete register changes of the left hand to make sure it could be heard clearly.
Overall, the character of the Suite is very intimate and personal. It is not a large showy piece, which is one reason I love to play it and thoroughly enjoyed transcribing it for the harp. In this concert, it was a great contrast to the much more extroverted style of the Chaconne.
Ms. Huhn is a rising young musician who has an international resumé of concerts performed throughout the United States as well as Poland, Turkey, Georgia, Luthuania, Norway, Russia, Syria, Germany, Pakistan and more with several concerts performed for German Presidents – both Johannes Rau and Horst Koehler. Ms. Huhn performs as a substitute harpist with the Boston Symphony Orchestra, plays regularly with several chamber groups and studied with both Lucille Lawrence and Ann Hobson Pilot, among others. She serves as harp faculty at the New England Conservatory and Longy School of Music, received the Artists’s Diploma from the Conservatory in 2005 and has several harp albums available for purchase. She is the Assistant Director of the Harp Seminar at Boston University’s Tanglewood Institute and the above is only a partial list of Ms. Huhn’s musical accomplishments. We know you will hear a lot about Ms. Huhn in the future and hope you take the opportunity to hear her play when she appears in your area of the world or when you are travelling to where Ms. Huhn is performing.
If you would like to follow Ms. Huhn’s career you will find her on the web at www.FranziskaHuhn.de.
She is also an important part of the Bettina Network, inc. and has been for over a decade.
_____________________________________________________-
Learn More About How We Use Your Donation!
[give_form id=”3763″]
______________________________________________________________
Want to join us? Have a home that you want to open to become one of Bettina Network’s Hedge Schools? Call us and lets talk – or email us.
Ed. Note: Members of the Bettina Network Lifestyle Community can contribute to the Bettina Network Blog whenever they have anything they want to say and be heard by this fantastic group of people. Send your blog to bettinanetwork@comcast.net or mail it to us at P. O. Box 380585 Cambridge, MA. 02238 or call us on the telephone at 617-497-9166 to tell us what you want to say and we will write it for you.
Volunteer with Bettina Network Foundation, inc. to work estate sales; to help move items from one home to another; to contribute your ideas on how we can better use our resources in this effort to relieve and eliminate homelessness and poverty. We also need photographers; designers; and more. However much or little time you have, we are grateful.
Send your event information to be included in Bettina Network’s Menu of Events to: bettina-network@comcast.net
This is a curated blog so you cannot write your responses at the end of each entry. TO RESPOND TO THIS BLOG email bettina-network@comcast.net or info@bettina-network.com
TO LEARN MORE about Bettina Network, inc. try www.bettina-network.com
IF YOU ENJOY OUR BLOG, USE OUR SERVICES TO BOOK ACCOMODATIONS WHEN YOU TRAVEL!
1-800-347-9166 inside the U. S. or 617 497 9166 outside or inside the U. S.
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